How do you make money from an animated show

how do you make money from an animated show

Excellent choice of colors! Please do not send me E-mails asking me to fund your project. No wonder people want to know how to make money on YouTube. Executives are quite conscious of your background.

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how do you make money from an animated show
Please dont post anything dumb. I am really worried about if this is my choice and i am going into grade 10! Please tell me if they make good money like the ones that draw and go on the computer. Also how much per year and if you can earn more and mazimum money. I have an animation degree and currently work as an animator for a game company.

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Please dont post anything dumb. I am really worried about if this is my choice and i am going into grade 10! Please tell me if they make good money like the ones that draw and go on the computer.

Also how much per year and if you can earn more and mazimum money. I have an animation degree and currently work as an animator for a game company. I’ve been a professional animator my whole adult life; I’ve worked in films and TV as well — in L. Here’s my experience:. First of all, another commenter said «To get any sort of a job in the field, you have to be in the union.

I don’t know a single professional animator that is in a union and I know probably pros. The union was big with the 2D animators back in the day, but it hasn’t been big in a long, long time.

I won’t dwell on the subject, but I will say that unions shouldn’t be a consideration at all when thinking about going into animation as a profession.

It is incredibly competitive and difficult to get a job. Out of my graduating class, I can count the number of people that are currently working as professional animators on one hand. So the percentage of kids that «made it» at my school were in the single digits. I graduated 1 in my class and got a job, but I have lots of friends that are very talented that couldn’t find work.

Also, work as a 2D animator traditional, hand drawn animation, as opposed to 3D computer animation is almost impossible to get in the US. It is really a shame, but most of the 2D animation work has gone to Korea. A lot of schools don’t even teach it anymore, except for basic classes. Animation Mentor, which is a huge online program, recently stopped letting their students turn in 2D work for their graduation projects. The reason is that there isn’t much work out.

That said, really good and really lucky 2D animators can find work in the US, and if you really love it you should go for it Computer animation work is easier to. Especially 3D, but also Flash and other formats. However, it is not as glamorous as you might think. Most professional animators exist in what is basically a glorified sweatshop environment. The pay is decent, but the work is incredibly demanding and the hours are long.

Every feature film animator that I know I have friends at Dreamworks and Pixar works 60 hours a week during «crunch time,» which can last weeks at a time. Normal work weeks are often 50 hours a week. It can be rather demeaning. And you usually get paid salary, not hourly, which is actually a real disadvantage when you are working such long hours.

Many people end up making less money per hour than their siblings that are electricians and plumbers. Also, there is a term in the industry: «animation widows. Google «EA widow» if you want to read some particularly scary accounts. As far as earning more It is all about work experience and the quality of your work. In fact, many directors will tell you that a degree isn’t even necessary if you have the skills.

Hence the popularity of Animation Mentor and other such programs which offer certifications instead of actual degrees. This means less animating and more managerial and decision making responsibilities. The pay is generally quite a bit better, but the work is exhausting.

If you spend a long time doing that, you can eventually be a director or producer, and that is really where the big money is. Of course, the average person going into school for animation probably has a. Of course, there are other paths and other ways of going through your career, but this is the most typical scenario. As for income I’ve known a few people that have started at a lot more, but I’ve also known A LOT of people that have started at quite a bit.

Within a year of graduation I was making a bit more than the range that I gave you, but keep in mind also that I got job offers at major studios for quite a bit. One visual effects house in L. That’s not much more than minimum wage in a city with a very high cost of living. When I told them that I was getting offers how do you make money from an animated show more than twice that elsewhere, they didn’t believe me.

The place was a real sweatshop. I’m also working as an animator yay previous poster! Most places I have come across will offer salary which is okay, — a week based on experience or they will offer per-second pay.

So your check is based on how quickly and efficiently you work. I have seen pay checks in our studio range from a week to for faster animators. So the pay varries alot from person to person and week to week. Like the other person said, you do this job because you love it, not to be rich.

You wont have a gold swimming pool but you wont starve to death ether! Also you don’t need a big fancy degree, you just need a good portfolio. Find a school that theaches the fundimentals of animation, improves your drawing skills and teaches you a variety of different animation programs. North american jobs are mostly in computer animation 2D or 3D So the more programs you know the more jobs you can apply to. It’s difficult to get into, in the first place. To get any sort of a job in the field, you have to be in the union, and to get into the union, you have to have experience, but to get experience you first need to have a job in the field!

It’s very much a Catch I’m guessing that since you’re asking about it here as opposed to asking someone you know, you don’t have any connections? It’s an art form, and if the money matters to you that much, then maybe you’re not actually that into it?

I don’t want to discourage you, but you kind of can’t go into the arts if you’re not really dedicated. Like most people with jobs in the arts, you don’t really get paid decently until you’ve been working for a. Trending News. Cruise line: Video shows man knew window was open.

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Kate Upton speaks out about pressure to breastfeed. Boy arrested after 4 people killed in Utah shooting. Answer Save. Here’s my experience: First of all, another commenter said «To get any sort of a job in the field, you have to be in the union. Anyway, long story short: definitely don’t do it for the money. Rhuby Lv 6. Kelly N. Source s : My uncle went to college for animation, graduated, realized a year later he couldn’t get a job without grad school, went to grad school, graduated, and is now trying to find a way around the Catch thing with the animator’s union.

How do you think about the answers? You can sign in to vote the answer. Vanessa Lv 4. Still have questions? Get your answers by asking .

How to Start Creating Your Own Animated Series #1

Using the numbers above, I decided to figure out what some of the most successful animators on YouTube are making. Similarly if you are established in someway an experienced 3D animator, storyboard artist, etc. Uncoached began in with one site and a goal of creating content that was clear, concise, worth reading, entertaining, and useful. Don’t go overboard unless you are sure of your product and know what you are doing. Few points that can teach you how to make money on YouTube:. As indicated by YouTube, they had 30, accomplices in Finding contacts, reaching out to them, understanding the market, going to exhibits and film festivals, and having the social skills needed to «hustle» and persevere, coming up with many ideas, developing the characters through and presenting them as best as possible and most importantly accepting many rejections is a lot of work. However, I should point out that I have confirmed with other filmmakers that they have earned the higher figures listed in the WSJ piece so there are apparently wide gaps between what different filmmakers earn.

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